Starbucks Pike Place roast

Nowadays whenever i went to Starbucks, there were no limited edition coffees on the shelf, so i somewhere hoped i could finally give the rest of the usual blends a try. But when i actually went to buy my next dose of beans, there waited the Pike Place Roast. Though there was an Anniversary blend not so long ago, this one’s related to the roots of Starbucks too. According to the sticker on it, that was where the first Starbucks cafe opened.

The Pike Place roast is unusually mild for a Starbucks limited edition coffee, so when i had my first cup of it, it tasted a bit too light. But just now i made an espresso out of it, an espresso that kicks me off my feet. It’s fantastic. Due to the mild nature of the roast, even in espresso it doesn’t get too stingy–it stays mellow. That reinforces what Starbucks says in their ad: it’s their smoothest blend. I haven’t tasted all their coffees, but chances are it’s true.

It smells smooth and sweet, while the hot steam has a touch of something fresh similar to eucalyptus in it–but that might be only my imagination. If i were into mild coffees, i’d probably love it. This way, i just say it’s a good blend.


A helyesírásról, megint

Ezt nem értem. Próbálkozok, de még nem megy. Ezek szerint csak nekem természetes, hogy úgy-ahogy próbálok helyesen fogalmazni és írni (lehetőség szerint ebben a sorrendben). Nem arról beszélek, hogy valaki véletlenül elgépel egy szót vagy pillanatnyi elmezavarban pontos j-vel írja a lyukat (pedig a lyukat nem írni kell, hanem). Az se érdekel, ha valahonnan kihagyják a vesszőket vagy a kötőjeleket – ez velem is gyakran előfordul. Még valahol azt is megértem, hogy valami furcsán értelmezett menőségből a szövegben minden “v” betűt “w”-vel írnak egyesek. Ez egy stílus, inkább látványelem, mint helyesírás.

De hogy olyan helyre raknak vesszőt, ahol abszolút semmi keresnivalója, vagy az elvált igekötőt a segédigével egybeírják (lásd megakarom találni), azt már nem értem. Vagy hogy teljesen értelmetlenül raknak egymás után (gondolom) nagyon értelmesnek érzett szavakat, biztos azért, hogy “komolynak” tűnjön az írásuk. Csak épp az értelme vész el, de persze, nyugodtan.

De igazság szerint mindez még valahol megbocsátható, vagy ha az nem is, de kevésbé büntetendő, ha valaki a saját blogján vagy egy csevegőcsatornán nem tud írni, mint ha direkt publikálásra szánt anyagot olvasva jön az arctenyér-kényszer, olyan a minőség.

Valaki magyarázza meg.


Őszi félév

A mai nappal elkezdődött a 2010/11-es tanév “őszi” szemesztere. A napom javát suliban, de többségében nem órákon, hanem a felsőbbévesekkel töltöttem, gyűjtöttem az infókat, hogy mit érdemes és mit nem fölvenni. Persze túl sok érdemi javaslatot nem kaptam, amit meg igen, azt ütközés miatt nem tudom (ebben a félévben fölvenni). Aztán itthon összeraktam úgy nagyjából az órarendemet. Ennél többet ha lehet, nem szeretnék fölvenni. Ebben a félévben már direkt figyeltem rá, hogy olyan tárgyakat vegyek föl, amik a bizonyos szükséges csoportokba esnek, hogy fogyjanak a kötelezően teljesítendő kreditjeim. Ha ezt a félévet is sikerrel zárom, akkor másodévre már csak nyolc kreditnyi “nehéz” tárgy (コア科目) marad – amennyit ebben a félévben fölveszek, és akkor még mindig csak másodév. Ahogy nézem, vizsgaidőszak körül nyögni fogok tisztességesen, de különben elég laza lesz most (előadások többségben). Csak majd szereznem kell (megint) egy határidőnaplót, mert a régit elhagytam Pekingben.

További hír, hogy ma végre megjött a Xros Wars zenesáv (új (?) szó, hogy mondják magyarul a “soundtrack”-et?) cd, úgyhogy miután hazaértem, elsődleges prioritás volt a feltöltés és a borító beszkennelése.


Hyakko!

You want light and easy entertainment? Here you get it. Hyakko is the perfect anime if you just want something funny without too much of a deeper meaning. It’s about a bunch of girls at school, their everyday lives, and how they get to know their new classmates at school. There isn’t much of a story—most of the episodes focus on one character, and that’s all. True, occasionally there’s a bitter aftertaste to some scenes, but i think that this level of drama can be passed without disrupting the entertainment much.

Not to mention that as much as i love the character design of Naruto, Kageyama Torako is pretty much the same, just in a girl version. Not necessarily only the hair and eye colours.

I first started watching Hyakko back when it aired, together with Toradora, but it ended up on a “hiatus” the same way too. Then this summer watching Toradora reminded me of the adventures of the Kamizono Academy girls. It was really worth watchin, i totally enjoyed it.

Above pic from アニメ壁紙タウン.


Metallica, Saitama Super Arena, 2010. september 26

Dear AC/DC, you should seriously contact Metallica. Because what they did this sunday, that is what i call a show. Unlike yours. The two opening acts, The Sword and Fear Factory played for the usual “opening band” duration, not too short but not long enough to get fed up with it either.

And then, and then, and then, Metallica came on stage. Although i wasn’t in the standing-moshing crowd, because i could only buy a seat ticket to the opposite end of the arena, it still sends shivers down my spine when i think about it, and i have to say this wasn’t my first metal gig either. Although i think there were problems with the sound during the opening acts, the whole performance of Metallica, the whole show of Metallica, the whole concert Metallica gave, it was, to put it short, perfect. (Except for a bit of the background screen that died midway.) They played great old songs as well as newer hits, and though i didn’t know just like half of the songs (the Great Old Ones—although they didn’t play the Call of the Ktulu), it was fantastic, i didn’t even have time to space out.

Not to mention the feeling of looking down at the pit, for example during the Master of Puppets and seeing four meatgrinder moshpits swirling in the crowd. I so much wanted to be down there.

Do you listen, AC/DC? This is how you do a great show. You should’ve been there, it was epic. They even invited one guy, for whom this was his 100th Metallica show, on stage. Amazing. Now i understand why so many people have been there both days. I wish i was one of them.


Internet changes

A couple of years ago in the scene i’ve belonged to online then, it was more or less customary that everyone starts a fansite or a “shrine” for the anime or band they loved. I still see some point in shrines. A shrine is a tiny website with only a few pages, a largely graphic design and minimal textual content devoted to the topic.

But a fansite is large(r), with quite a lot of work put into it, whatever the form of site is. Just writing the content and hunting down some rare images takes ages. I mean it, from experience. But just now i realised that i’ve never been to a fansite with the purpose to check out some info, or just read about details. And that’s the static content the writers (usually) put such insane amounts of work into.

Static content just won’t make people stay there. Once they’ve seen it all, without anything else to do they leave and probably never come back. What makes people stay and/or come back is dynamic content.

Forums, where on the one hand, they can interact with other fans, and on the other, generate unique content. News feeds, which is pretty much the same as writing a thematic blog. And if they still need the info, a cross-linked wiki is surely there in the blue with tons of data (part of which is user-contributed) on the topic. I wonder if other websites (anything beside communities, shrine-types, blogs and wikis, and of course webshops/download portals) would have a chance to survive at all. Like, at all.


終わり

今シャワー浴びて寝る。10月1日、夜2時。明日(今日)起きると秋学期が始まる。いやだなぁ…

とりあえず、さようなら、夏。また来年ね。

準備戦備ができた。来い、授業。


Toradora!

I first started watching Toradora! when it started airing, but then it just wasn’t interesting enough to watch. But this spring a girl from the music club said she was watching it, reminding me too. In the summer break, before heading off to my journeys, i managed to watch it all.

It was… Strange. Obviously, after watching loads of anime the final pairings get more or less clear in the very first episode, and with that, for me the anime gets more tense, since it’s a story between a startpoint i’m at and not infinity, but a known (or thought to be known) endpoint. It’s drama, and it’s funny, and it’s highschool. Crazy life, that i’m pretty sure doesn’t exist anywhere but anime (not in Japan for sure) with loads of hilarious but at the same time very touching situations. And we can see bonds forming and disappearing.

It was nice. I didn’t even pay attention to details like graphics or music–the character designs and the story were enough. After i finished it, i felt strangely down, but i guess that’s just natural from a single guy watching a romantic anime.

Also, the Suzumiya fan i am, i just had to use the pic above, from Drunk Weeaboo. Of course there’s no Hare hare yukai dance in Toradora.


Samurai Champloo

I can’t even recall when i finished Samurai Champloo, yet another masterpiece by the creator of Cowboy Bebop, Watanabe Shinichiro. It must’ve been sometime back in the middle of august…

Yet, just as its older brother, Samurai Champloo is great. As Cowboy Bebop mixes blues with space and western, so mixes Samurai Champloo historical Edo period Japan with modern city underworld and hip-hop. As expected, both the graphics and the music of the anime is of insane quality. Fantastic puns and jokes, hilarious situations often burst into amazing fight scenes and/or tear-jerking drama parts.

The story is very well designed too. Through the loosely connected episodes of the heroes’ journey, a story worthy to be compared to a classical full-length novel unveils. In the meanwhile, sometimes strikingly harsh realities and brutal but just philosophies appear. And however matching this description is to Cowboy Bebop, i’m talking about Samurai Champloo, and despite these similarities, while watching it, it doesn’t feel like a “little brother” or successor, but a creation of great value.

Something you really should watch.

Above image from The Futile Podcast


Önéletkávé

Így este kilenc magasságában megérkezett a kávéfőzőm végre. Ezzel két dolgot kaptam: egy lehetőséget, hogy kipróbáljam, amivel természetesen éltem is, ezzel elvesztve DeLonghi-szüzességemet, plusz egy kellemes elfoglaltságot egy kicsit későbbre, éspedig hogy megszabaduljak a kartondobozoktól. Mert természetesen duplán be volt dobozolva. A kávé ugyanannyi és ugyanolyan, mint a régi főzővel, kivéve a gép “új-ízét” ami két főzés után eltűnik majd belőle…

Ezen kívül ma nagyjából semmit nem csináltam, sikerült teljesen passzívan és haszontalanul eltöltenem a nyári szünetem utolsó napját. Ugyan megírtam egy szabadfogású önéletrajz-féleséget, de ez inkább unaloműzés volt, mint kreatív munka. Ahhoz nem volt energiám, kávé nélkül ugye…