行ったり来たりの旅と
終わりなく漂う魂
静かに歩いてるだけで
急に勇気が湧きあがる
きっと幸せなんだろう何度も考えたけど
天国はどこか分からず
夕焼けの街をさまよい
明かりが灯るのを見て
その数を数えてた遠く離れてるときも
東京スカパラダイスオーケストラ:そばにいて黙るとき
そばにいて黙るときでも
穏やかな幸せ祈り
また風に吹かれてく
明日は星にまかせて
Silent by your side
High and mighty color
Now i have a bit of time to blog the events of the past (last?) week. On tuesday, a concert, a great one of that for sure. High and mighty color in the Liquidroom of Ebisu.
I was a bit sceptical about how the gig will turn out before because, to be honest, i only knew one song of them, the former Bleach opening and hit single Ichirin no Hana. Well, i regret that now. This band is no longer a small garage-rock band with a great girl vocalist and nice ideas, but they really gave the impression of being real professionals by now. Really surprised me.
Same, the volume of the gig surprised me as well – although a totally japanese concert, it was not overamplified. It was loud, but just as loud where it’s simply just loud, and not painful. Not to mention, roaring sound power matches this music. Since then i listened to a lot of their songs, and decided that if they happen to have such cheap gigs around here any time soon, i’ll sure to be there.
I don’t know the exact tracklist of the concert, but they played all of their great hits, as far as i remember, and for my great joy, Ichirin no hana as well. Turned out to be an unexpectedly great gig.
Simple
Today was simply fantastic. Even though we were late for the Stratovarius concert, it was so far the best concert i’ve been to for a very long time. Songs like Rest in peace or Higher we go (just to mention the first two that came to my mind now) made me shout at the top of my voice (i was actually surprised i could keep up with Kotipelto’s range), so after a gig it was pretty hard to talk, but it definitely worth it, this concert would’ve worth quite much anything! My first really good metal concert for a year, and this one was simply ecstatic. Because we were late (so sorry about that) i don’t know if they played Dreamweaver or Hunting high and low, my two favourite songs, i can only hope not—i could hardly forgive myself for being late then. The concert was for short: perfect. It was finally not overamplified like most of the gigs i’ve been to in Japan. And i had a great experience… After the last song, Kotipelto asked if we could count to four in Finnish, for them to bow after that. Naturally silence among the japanese, when i realised that i could count to four in Finnish! “Yksi, kaksi, kolme, neljä!” I went shouting out, visibly surprising the band, but then they saw that i was “apparently a westerner”. So fun! I want to learn Finnish! (And i think that’s the only language i ever wrote with a capital letter here in the blog.) (If anyone interested, i learnt the numbers from my father and the Nils Holgersson book, where the geese were named with Finnish numerals if i remember right.)
Progressive live 2009, yesterday
In Kichijoji’s Silver Elephant there’s a series of concerts every year, titled Progressive live. In may i went to a concert there, which headlined the same band as yesteday’s: TEE (The Earth Explorer), a japanese flute-fronted progressive rock band. Yesterday the other two bands were the japanese Baraka and their friends from France, Eclat.
TEE was as good as expected, they played a new song as well, and they had the only vocals on the whole evening, in Col de l’Iseran (though not much of lyrics, but vocals anyway). Baraka was a surprise for me, i expected something louder and wilder than TEE, but instead got a really quiet, more jazzish, more Pink Floydish music. Eclat were really as pro as Yoneda Katsumi, the guitarist of TEE said they would be. They had a lot of fun on stage, they played great and longer than i’d have guessed from the japanese standards.
Naturally the whole evening was just as over-amplified as expected in this country, but after stuffing half a tissue in my ears i could avoid permanent hearing impairment (?). This evening definitely worth the money and the time – great concerts.
コーヒー中毒者
~になるかもしれない。 Péntek óta ugyanis durván háromszorosára nőtt (vasárnap kivételével) a kávébevitelem, a reggeli egy mellett most már délután is belefér egy dupla főzés a termoszba… Tartott ez mind máig, mert ma már szigorú elhatározással korán lefekszek, hogy ki tudjam aludni magam. Úgyis hulla fáradt leszek, mert fél héttől foci van, addig meg kvázi folyamatosan tervezek tanulni, ami azért minden tekintetben ki fog nyírni (remélhetőleg). Ma lenne este ugyanott a Silver Elephantban megint Progressive live koncert, többek között a TEE szereplésével, de nagyon bizonytalan vagyok, hogy vajon a foci éri-e meg jobban, vagy hogy háromezer jent elverek a koncertre, ami amúgy valószínűleg nagyon színvonalas és pofátlanul hangos lenne… Az a baj, hogy az igenember filozófiája ilyen eldöntendő kérdésekben nem működik… Érv a koncert mellett, hogy idén már biztos nem lesz ilyen, plusz foci minden héten van, érv a foci mellett, hogy nagyon jól esik. A koncerten mondjuk össze tudnék haverkodni néhány néppel, mert last.fm-en “barátok” lettünk a TEE gitárosával (és elég felismerhető a profilképem), meg lesz egy európai banda is (hogy azok hogy kerülnek ide…). De még a testmozgáshoz: tegnap este lementem egy órára a kondiba, azóta is sajognak a két éve nem edzett karjaim… holnap meg ugye pingpong (a mai edzés suliidőben, délelőtt volt), az utánra meg a kötelező tanulás beiktatásával (és a gitáróra, ha lesz, múlt héten nem volt) (amíg még nem tompulok el) este levezetésképpen még egy óra kondi, mert az úgy jó (meg megkaptam a Balatonon hogy mi az, hogy a “zorall fejemhez” ilyen gizda vagyok). Majd kiderül, hogy lesz.
Sabbath
Not Black, though music. On saturday i managed to wake up in time, so i got there in time to my first concert in the autum term (秋学期), a jazz festival in the Tokyo Forum, to be precise, its Groove part. The reason for me going was without question the concert of the Tokyo Ska Paradise Orchestra, a fantastic japanese ska-jazz group. There were three more performances as well, two more or less traditional jazzish ones and one i couldn’t categorize—but more about that later.
The Tokyo Ska was fantastic, and fantastic, and fantastic (apparently lost for words, i am), just to mention a bad point as well: short. Not a whole hour, i’m afraid. But the quality and the atmosphere worth it. All. They played a lot of songs i knew and a couple i didn’t, and i got to like them, their style and their music even more.
About the others: Abraham Laboriel, who played together with Akira Jimbo was precisely how i’d imagine a traditional black jazz musician. Fantastic style. They were visibly playing for fun, and that’s great. The second ones, John Scofield and the accompanying band… the music was great, but the feel was missing. Then the last, George Clinton and the Parliament / Funkadelic. That was crazy. I didn’t really like it, though i enjoyed it (paradox)… Very tribal, very chaotic, very difficult to enjoy, very strange. Somehow the kind of performance i can imagine from rastafarian jamaicans to do after smoking a 2g ganja per person. Not really my type.
Then i came home, though i listened for a few minutes to a jazz band playing in front of the Forum on some Japan-Netherlands something, they were really peaceful after the all too long (almost two hours, gosh) Clinton performance.
At home the usual: we grabbed a few beers with Rado and sat down talking with the others, eating fruits as well and stuff like that. Got to bed around three…
Homework
Now that’s what i’m definitely not going to write about now. I think that i don’t have any, except for those i’ll have to do by next week, so now slacking. To be precise, doing webdesign (i’ll show it upon request) and browsing last.fm. Today i bought some concert tickets. To be exact, four. Thus the schedule becomes: this saturday, a Tokyo Ska Paradise Orchestra (et al) concert on the Tokyo JAZZ 2009 Groove section (from 13:00 to 19:00). The next one is the Stratovarius gig in Kawasaki Club Citta—my first concert in Japan where i’m not going alone: Tung from Vietnam is coming as well (his’ the fourth ticket). The last one i’m sure to attend will be a HIGH and MIGHTY COLOR gig in Shibuya’s Lightroom. Knowing the band, this one will be a lot of fun as well. Can’t wait!
Celtic punk
I’ve been looking for celtic punk bands for a while now. The first one i stumbled across accidentally, Dropkick Murphys made me fall in love with the genre. But it’s not easy to find ones i’m really looking for. That is, ones more punk than folk, so with amplified guitars and stuff. Many of the “celtic punk” bands, for example Greenland Whalefishers, The Mahones and The Tossers are nice, but i miss the power (not the speed) from it. On the other hand, Street Dogs lacks the folk elements to make it special, the accent of the singer (who was the vocalist of Dropkick Murphys) is not enough. Blood or Whiskey is a difficult question, because it’s very, very close, but still miss a bit of power on the guitars (good point, they have four full songs on last.fm!). Even though as of now it could seem that i couldn’t find what i was looking for, i could. Three at least, and there’s still way to go among those “similar artists”. The three i really liked were: The Real McKenzies, The Bloody Irish Boys and Flogging Molly. (Flogging Molly is really close to Blood and Whiskey in sound, but it seems to be on the right side of the hedge…)
Electronic
It’s funny. Really it is. For a long time (more or less my whole life up till June – this could be a sick allegory to Here comes the summer by the Fiery Furnaces) i considered electronic music something i can’t take. And that changed, quite suddenly when once we went clubbing in downtown Tokyo. Since i went to Japan i try to live a “yesman”-ish life—i didn’t go there to be low and lonely. Thus i went clubbing as well and i enjoyed it (though then i had to pay attention to keep the mood on), and so my view on electronic music has changed a lot. I checked at Ishkur’s guide which ones are those i can take (not all, as expected), and ended up with goa-psy-trance trio. And been listening to such music for days now and it feels just as natural background music as if it was some of my “native” genres, such as heavy metal or progressive rock. I don’t yet mix it with those genres though, but that time will come as well.
And thus i can say i got even more open musically (but sadly there are still hell a lot of those i can’t stand).
Ultimate
As for now.
There was never any good old days
Gogol Bordello: Ultimate
They are today, they are tomorrow
It’s a stupid thing we say
Cursing tomorrow with sorrow
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